All prints are limited to 30 copies numbered and signed.

Prints are made by the photographers themselves or from under their control by a professional lab.
photographers choose paper print and support that best match with their artistic sensitivity

The author's signature appears on the front or on a certificate of authenticity attached to his back.

All photographs featured on our site have the tax status of a work of art.

Photographic prints by Lambda process are the reference center of the photograph and collectors.
This process inherited from traditional photo processing silver is now the perfect combination of the traditional expertise and modern digital technology.
The photo-sensitive paper is exposed in high resolution in laser beams, it is then developed in a traditional chemistry then washed and dried.
The silver photo paper can be presented in a shiny, matt or satin.

Fine Art
Fine Art pigment prints are very high quality and produced on art paper.
The shelf pigment inks are printed in high definition on a neutral paper, usually 100% cotton.
Printing of photographs on paper Fine Art ensures continuity of work in time for several generations.

Prints sizes

All formats are not listed on the site.
To request a specific format, do not hesitate to contact us.

FINISHES

Mounting on dibond
For the exhibition of art photographs, laminating an aluminum plate on Dibond ® is the ideal medium.
The draw is stuck permanently on the plate is the same size as the photograph
Dibond® is a material that is both strong and light, consisting of a caught between two thin sheets of aluminum polyethylene core. A special glue and a passage in the press allow a flawless finish and a long dress.
This finish provides a direct look at the photograph without the disadvantages of glass reflections.
It is appreciated for its simplicity and elegance.

Standard hooks
An adhesive fastener, attached to the back of the aluminum plate Dibond

Up and down hanging bars 
Aluminum bars glued horizontally at the top and bottom, on the back of the print.
This attachment finish makes it possible to rigidify your works, facilitates installation, and takes off the photo slightly from the wall

Accrochage avec châssis 
A back wooden frame, attached to the back of the photograph allows both excellent rigidity and an exhibition back wall.

FRAMING

Gallery frame (for paper print)
Wooden frame, black or white, 15 mm profile with front glass, 30 mm depth.
The photograph is placed at the bottom of the frame. This type of coaching combines elegance and modernity.

Floater frame (for print mounted on dibond or Plexi)
The photograph mounted on aluminium or dibond is displayed in a woof frame, without glazing.
These unique frames are so named because the illusion they create is that your photograph is "floating" within the frame instead of being covered by it.
Two colors: black and white
One or two fasteners are screwed to the back of the frame and allow a standard wall mount
Our frame are made in France.